Excerpts from The Journal of Edmond de Goncourt

September 11-12, 1870

                                                                                                            Sunday, September 11

            All along Boulevard Suchet,  all along  the  road  inside the fortifications, there is lively activity and large-scale movement on the part of the National Defense. All along the road they are making fascines and gabions, filling sacks of earth, hollow ing  out  powder   magazines and  oil  storage  dumps in the trenches. In the courtyard  of the former customs collectors' barracks  there  is the  dull  resonance  of  cannon  balls falling from the drays.  Up above, civilians are carrying on cannon drill; down below, practice with breech loading rifles by the National Guards.  Bands of silent workmen pass by; the blue, white, and black blouses of Mobile Guards go by; and in the green channel of the railroad line the rapid flash of trains, of which you see only the top, covered with the red trousers, gold braid, epaulettes, and kepis of this huge military force improvised out of the civilian population.  Everywhere in the midst of all this the  headlong  rush  of little open carriages carrying curious, but slightly frightened women.

The Champ de Mars is still a camp, where soldierly gaiety has written  on  the  grey  canvas  tents:  We needmaids  of all work. Endless files of  horses go  down  to  the Seine to drink and stand along the quay, where rope barriers enclose artillery horses and transport  for  the  bridge builders.

The Champs Elysees, which is no longer being sprinkled, is a torment of dust through  which you see an armed multitude and, now and then,  the gleaming helmet of a dispatch-rider standing out  at the foot  of the avenue against the violet sky and the white obelisk.

In the Place de la Concorde a gathering of  people completely in black at the  base of the Strasbourg  statue. Blouse­clad men have made a human ladder  and,  climbing  above  the white stone,  above  the powerful and vulgar pose of hand on hip,  are crowning  the  heroic city  with  branches, bouquets, flags, and republican tinsel. Down below a man in a black hat bends over in front  of the gate, which is green with crowns of immortelles which  have cockades  stuck  in  them·  he seems to be signing a register.                                                   

At the entrance to the Rue de Rivoli huge carts overtake me; they are  carrying  the four  quarters  of  big dead steers lying on their backs covered with green serge.

The main path in the Tuileries Garden is spread with straw.  On the bed of this gigantic stable, as though posing for those studies beIoved of Géricault, there rise up and stretch out to the caress of the open air the white, chestnut, or dappled croups of thousands of horses.  Behind then the severe line of caissons, each with its spare wheel; and farther than the eye can see under the trees, in the play of light and shadow, more horses' croups, smoke from field forges, mountains of hay and straw.  What a  grand, exciting  spectacle   this image of  war is, spread out in this pleasure garden  among the flowers, the orange trees, and the marble statues, on the pedestals of which sabers and issue overcoats are hung today.

This evening what insouciance, what a fine unconsciousness of  the  morrow,  when  the  city  may  be  put  to fire  and slaughter! The  same gaiety, the same futility of  words,  the same light and ironic hum of conversation in restaurants and cafes. Women  and men are the same frivolous  beings they were before the invasion, except for a few women  who are petulant because their husbands spend too  long reading the paper.  .    .                             

At night I go back along the Tuilleries and see the day's spectacle once more, now bathed in the milky light of the moon which  has risen at the end of the Rue de Rivoli, its outline broken by the tall chimney on the Flora Pavilion. Under the electric brightness which  makes the green   foliage a glassy blue, through the trees which look like trees in mythology, in the silence of the sleeping park where you hear only the ballad of a wakeful artilleryman,  all those croups in their white immobility make you  think  of stone horses, of a marble stud farm,  taken  from  a Parthenon  found  in  an  ancient  sacred wood.

                                                                                                Monday , September  12
Not  only have our officers been incompetent, our soldiers have been craven.  In support  of what  I say I have  a letter from my cousin Philippe de Courmont, who was taken prisoer at Sedan, affirming that the soldiers absolutely would not fight.  Can it be that the civilian population is going to show he qualities that the army lacked?  If that happened, the army would be forever finished in France and we would enter the revolutionary cycle under full steam